Carl Larsson
A Sweden Museum


Carl Larsson's Oil Paintings
Carl Larsson Museum
May 28, 1853–January 22, 1919. Swedish painter.
Carl Larsson

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Bernardo Bellotto
The Old Market Square in Dresden 4
Bernardo Bellotto13.jpg
ID: 10339

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Bernardo Bellotto The Old Market Square in Dresden 4


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Bernardo Bellotto

Italian Rococo Era Painter, C.1721-1780 Italian painter and draughtsman. He was a view painter who worked in Italy and later at the courts of Dresden, Vienna, Munich and Warsaw. The nephew and almost certainly the pupil of Canaletto, outside Italy he signed his works de Canaletto and hence became known as Canaletto. He painted both topographical and imaginary views in a style independent of his uncle's, distinguished by cold colour and by the austere geometry of architectural masses.   Related Paintings of Bernardo Bellotto :. | Pulkownik Piotr Konigsfels udziela lekcji jazdy konnej ksieciu Jozefowi Poniatowskiemu. | View of Verona and the River Adige from the Ponte Nuovo | View of Vienna from the Belvedere | Krasinski Square. Detail with Krasinski Palace. | Wilanow Palace seen from the entrance. |
Related Artists:
John William Waterhouse
English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.
gosta adrian-nilsson
Gösta Adrian-Nilsson, GAN, född 2 april 1884 i Lund, död 29 mars 1965 i Stockholm, svensk konstnär och författare. Räknas som en betydande pionjär inom den svenska modernistiska konsten. GAN debuterade som konstnär 1907 med en utställning på Lunds universitets konstmuseum. Efter studier i bl.a. Köpenhamn for han 1913 till Berlin för att studera modernismen. I Berlin kom han genom författaren Herwarth Waldens galleri Der Sturm i kontakt med futurism, expressionism och kubism. Influerad av dessa ismer skapade GAN sedan sin nya, modernistiska stil. 1916 flyttade han till Stockholm där han genom sin modernistiska konst och sin propaganda för den nya konsten, väckte stor uppmärksamhet. Att GAN var homosexuell avspeglas i flera av hans verk. Till exempel var han periodvis nästan maniskt fixerad vid sjömän och han dyrkade maskulin kraft. Andra favoritmotiv var manliga idrottsutövare. Samtidigt var den homosexuella erotiken både förbjuden och tabubelagd och GAN tvingades att leva ett dubbelliv. Mellan 1920 och 1925 bodde och arbetade GAN i Paris där han kom i kontakt med Fernand L??ger. Kontakten med denne ledde till att GAN:s inriktning mot kubismen förstärktes. Under 1930-talet anslöt han sig till surrealismen. Förutom oljemålningar finns akvareller med folkvisemotiv samt gobelängkartonger bland hans verk. Dessa "säljbara" verk gjorde GAN dock i de flesta fall av ekonomiska skäl snarare än konstnärliga. Han skrev även dikter, noveller och barnböcker.
Ignacio Zuloaga y Zabaleta
July 26, 1870 - October 31, 1945 Spanish Basque painter. He studied in Paris in 1891, coming under the influence of Impressionism and of the group of Catalan painters around Santiago Rusieol. His visit to Andalusia in 1892 provided the key to his later work, leading him to replace the grey tonalities of his Paris paintings with more brightly coloured images of Spanish folkloric subjects and of male or female figures in regional dress, for example Merceditas (1911/13; Washington, DC, N.G.A.). Zuloaga turned to Castilian subjects in works such as Segoviano and Toreros de Pueblo (both 1906; both Madrid, Mus. A. Contemp.) after the defeat suffered by Spain in the Spanish-American War of 1898; like the group of writers known as the Generation of 98, with whom he was associated and who were among his most articulate supporters, he sought to encourage the regeneration of his country culture but with a critical spirit..






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